Editions is Agenda’s own publishing
which produces small, beautifully printed,
limited editions of an individual’s poems.
New, Recent and Forthcoming Poetry
from Agenda Editions:
Visit the online bookshop to place your order or contact Agenda Editions, The Wheelwrights, Fletching Street, Mayfield, East Sussex TN20 6TL or email: email@example.com
THE ECHOING COASTLINE by Byron Beynon
The Echoing Coastline is Byron Beynon’s seventh eclectic and engaging collection. The changing nuances of the bond between humankind and the natural world form the basis of these lyrical poems which sing in the ear long after they have been read. Thoughtful and observant, humane and cosmopolitan, they are concerned with Wales but look beyond Wales to a wider world, transforming the particular to the universal.
Byron Beynon was born in Swansea and brought up in Carmarthenshire. He has lived and worked in London, Cardiff, Norway, France and Australia. He has worked as a tutor at Swansea University where he has devised, introduced and taught several modules including “The Growth of Anglo Welsh Literature”; “The Pity of War”; “Landscape and Poetry”’, “Home from Home for Thomases”; “The Life and Poetry of Idris Davies”; and “In Two Fields”. He has also been involved in teaching BA Honours degree courses as well as taking Creative Writing workshops at the Dylan Thomas Centre.
He has read his work at a number of venues in Wales; also at the Edinburgh Fringe Festival, the Hay Festival, Cork and the Swedenborg Hall in Bloomsbury, London. His work won an award in the Scottish International Open Poetry Competition and a sequence of his poems, inspired by the work of Vincent Van Gogh, appeared in a Painters and Poets exhibition in Harrow. His work has appeared in numerous publications in the UK, the US and elsewhere and his work has been widely anthologised.
Mexico by Gary Allen.
Mexico is a powerful, substantial new collection from Northern Irish poet, Gary Allen, described by Sebastian Barker as ‘one of the more urgent and accurate writers now writing. Mexico, the title, is also a theme – another country, another continent of the mind – that runs like a vein of gold through the collection. It provides a link between many of the poems, suggesting that, although we are alive in the actual moment, we also occupy, mentally, another plane of suffering and despair. From Ireland, across Europe, and farther afield, ‘Mexico’ explores, defines, and understands the loss and pain in each of us. As poet Medbh McGuckian says: ‘Unusual in their sensitivity to the particular vulnerability of women, these poems hover on the edge of despair, but also offer a valuable and much needed insight into the thwarted lives of the poor.’ Martin Mooney also praises the poems in this new collection which are ‘electrified when you least expect it by visceral epiphanies of love, sex, and death – like human memory itself. He summons up the textures of language and experience with impressive fluency.’
Gary Allen was born in Ballymena, Nr.Ireland. He has travelled and worked throughout Europe, settling in Holland for some years, before returning home. He is an award-winning poet, with eleven published collections, including, ‘Languages,’ Flambard Press, 2002, ‘Iscariot’s Dream,’ Agenda Editions, 2008, and, ‘Ha, Ha,’ Lagan Press, 2011. He has been widely published in literary magazines throughout Ireland, UK, mainland Europe, U.S.A., Canada, Australia, New Zealand. A selection of his poems was published in the anthology, ‘The New North,’ Wake Forest University Press, North Carolina, and in the UK by Salt Publishing. He has also published a novel, ‘Cillin,’ Black Mountain Press, 2005, and a collection of short stories, ‘Introductions,’ Lagan Press, 2005.
Due for Publication by Agenda Editions / Clutag Press
‘Rodin’s Shadow is a tour de force with its impressive energy, and the almost uncanny smell of the real that it gives off. And these women are real, that’s for sure. I love the way the sections feed off each other and there’s a powerful sense of accrual. There are changes in pace, changes in tempo, twists in diction, all of which ensure that the register is up, the momentum brightening; they never threaten the unity of the whole piece, however, and this makes for a page-turner. A highly ambitious, highly original and achieved book, full of passionate endeavour’...Tim Liardet
‘This collection is truly moving. The poems are energetic, exciting, demanding and rewarding. Patricia McCarthy is doing something unique here, using persona and art history to great effect. There is an energy to the language, and a half-wild experimentation that is uplifting and yet controlled. The shifting between rhyme and free verse is also exact and exacting. There is a fine labour manifest throughout and I find the whole a rich achievement’... John F. Deane
‘I am struck by the poignancy of this collection and particularly like the sense of place in many of the poems which pull off the rare trick of being deeply personal yet, through Patricia McCarthy’s deft poetic skill – the ethereal imagery, the subtle use of rhyme and line foregrounding – become at the same time universal. This collection is a tour de force, so assured poetically and dramatically. Sensual, atmospheric, engaging, highly moving at the end, with a wonderful sense of narrative drive, the work is of a consistently high quality’... Josephine Balmer
‘Hats off to Rodin’s Shadow. It is excellent: intense, oneiric, erotic, very poetic, very passionate, and deeply knowledgeable about its characters and background. An exhausting but thoroughly enjoyable exploration of the psychic territory of those brilliant, destroyed women. There is so much behind the writing, and there isn’t a single dud poem here’...Tony Roberts
‘These poems take Camille Claudel, Gwen John and Rose Beuret as starting points and muses, spinning out from their stories and emotions beautiful, lyrical poems, sometimes in an elegiac tone, sometimes even flooded with tragedy and regret, but also with a visceral, muscular hold on everyday reality, physical, outspoken and sustained through Patricia McCarthy’s inimitable, elegant style and polish’...Sue Roe
Order your copy now at the Agenda Online Bookshop
‘Sabbagh is a rare and gifted poet. He brings enormous pressure to bear on
his themes – love, existential meaning, the rage against darkness, an identity
finely tuned to both Beirut and the West – marshalling philosophy and literary
allusion with intelligence and elegance so that the reader is immersed in his
distinctive world in which ‘…sense has two meanings: / To make you see and to
make you see.’ (After Conrad’s Preface…). Waxed Mahogany has the
hallmarks of his previous two collections – an emotional intensity and vivid
honesty in constant dialogue with the metaphysical and analytical – but with an
increasingly assured voice and daring range; an extraordinary and exciting
Dr Jan Fortune
Editor, Cinnamon Press & Envoi
‘In Waxed Mahoghany you
will find poems written by an audacious young poet that cover the topics most
young poets write on: parents, elegies, lust and longing, mortality; but unlike
many published today, you will not find ordinary language in any of them.
Perhaps it comes from Sabbagh’s dual identity as Arab and Englishman, but one
hears echoes of Mahmoud Darwish, Nizar Qabbani, Fady Joudah in the poems’
alliterations, bold rhymes, surprising metaphors, richness in noun and verb.
Sabbagh writes with a refreshing, muscular formalism to challenge the pallid
‘free verse’ so much in vogue. A winner.’
Norbert Hirschhorn, MD, author of Monastery Of
Order your copy now at the Agenda Online Bookshop
Powerful and coherent….. a
singular voice in Irish poetry……things unsaid hovering at the edges of the poems
that give them a haunted and disturbing charge. Joseph Horgan’s poems resonate
particularly powerfully in the shifting culture of Ireland today with its
massive transformation in population and community. In the contemporary reality
we need poets who will sing homelessness and rootlessness. We should cherish
these voices which bring an aboriginal consciousness to the present moment.
I find in Joseph Horgan’s poems the cool
detachment and severed strength of the loner; the poems hover at times on the
verge of self-mockery. His sense of humour chuckles at his own endlessly active
intelligence. Joseph Horgan’s poetry is rich in strong, unusual qualities.
These poems sting like whiskey and imbibing them
it is easy to see why Horgan was garlanded with 2004’s Patrick Kavanagh
Billy Ramsell, The Stinging Fly
Brian Whelan, this astonishing
artist, is drawn to themes of the utmost profundity and yet treats them with a
whimsical originality that is surprisingly affecting. This is very strong art:
not for aesthetic wimps.
Beckett, Art historian and critic
‘Brian – keep the brush in your hand!’
In this compelling first
collection, Caroline Clark plays with languages and with language itself. Her
vision is pure and touched with the numinous. Her poems, delicate yet strong, at
times impressionistic, catch different lights, essences, tastes and colours –
all laid on carefully with a palette knife. Through time and place she leads the
reader to the centre of things in a sure, promising voice totally her own.
Jean Cassou’s The Madness of Amadis and other poems,
translated by Timothy Adès (£9.99)
(Bilingual edition: French and English on facing pages)
Jean Cassou, a war time Resistance leader in France, is still somewhat under-appreciated. These intriguing poems represent the body of Cassou’s work, following his famous 33 Sonnets of the Resistance (also translated by Timothy Adès), composed and memorised while Cassou was in prison, forbidden any writing materials.
‘Without strain, Adès creates
a perfect mirror for Cassou’s language’…
‘He has done the literate British a huge service’…
‘Cassou’s shade must be glowing’…
‘Ades’ sensitivity xrays the heart of every poem’.
A Woman Called Rose
and other poems
Published July 2011: Spanish poems translated by Arthur Terry who, just
before he died, sent a hand-written letter to William Cookson, expressing
a strong wish for Agenda Editions to bring this collection out. This has at
last been made possible by a generous grant from the estate of the late
Elizabeth Robertson, a lover of poetry.
Arthur Terry was part of the Belfast Writing Group which included such
well-known poets as Seamus Heaney, Philip Hobsbaum, Michael Longley,
James Simmons and Derek Mahon.
Price: £9 (plus P&P)
Order from: firstname.lastname@example.org
This long poem is a response to Nietzsche’s Also sprach Zarathustra, rendering in strong and urgent language Nietzsche’s call to a journey away from accepted norms and towards true self-realisation. By turns lyrical and acerbic, and deploying many different voices, the poem offers an imaginative engagement with the challenges posed by Nietzsche’s figure of Zarathustra. The cover illustration and the drawings placed throughout the book come from a complementary body of painting and sculpture in which the poet explores the nature of masks and effigies.
Published by Agenda Editions
East Sussex TN20 6TL
ISBN 978-0-902400-93-1 Price £10
Gary Allen: Iscariot’s Dream (£8.99)
This poignant, multi-layered collection – particularly relevant for our day in its treatment of treachery, and its detailed, graphic rendering of violence as something revolting, not to be mythologised – is the fourth collection by Gary Allen. It is ‘thronged with the undead’, living ghosts from classical mythology, from the Bible, and from the more recent ‘Troubles’ in Northern Ireland. Gary Allen, who was born in Ballymena, Co. Antrim in Northern Ireland, uses his childhood memories to give a gripping reality to this book. He has published three very well-received collections of poetry, the last of which, North of Nowhere, came from Lagan Press in 2006. He has also published a novel, Cillin (Black Mountain, 2005) and a collection of short stories, Introductions (Lagan Press, 2007).
‘A Courageous and stunning work’…
‘Six poems in, the reader is wrenched awake, and to the realisation: something
very brave is being done’…
Ailbhe Darcy in the monthly arts supplement
of The Newsletter
Jan Farquharson: No Dammed Tears(£8.99+£1 p&p)
Dante: The Divine Comedy, translated by Laurence Binyon, with La Vita Nuova, translated by D.G. Rossetti
(revised edition) (£10+£1 p&p)
Kenneth Cox: Collected Studies in the Use of English (£12+£1 p&p)
Agenda Editions presents
The Book of Hours
by Rainer Maria Rilke
translated by Christine McNeill
and Patricia McCarthy
A fresh translation/version of this masterwork by Rilke particularly
relevant to our present day: a fine entrance to the rest of his poetry.
Rarely available in English.
£10.99 incl p & p
John Montague: A
Smile Between The Stones, translations
Sur La Dernière Lande by
Claude Esteban, who gained the first
Prix Goncourt ever
for poetry (usually awarded for prose). (£7.99+£1 p&p)
Desmond O'Grady: Kurdish
Poems of Love and Liberty (£9.99+£1 p&p)
Grey Gowrie: The
Domino Hymn – poems
from Harefield (£10+£1 p&p)
Steven O'Brien: Dark Hill Dreams ( £8.99 + £1 p&p ) (a first collection from this Irish/first Generation British poet).
For further details and to order, contact Agenda
Editions, The Wheelwrights, Fletching Street,
Mayfield, East Sussex TN20 6TL or email: email@example.com